LONDON—FilmLight has officially launched FilmLight REMOTE, a remote color-grading solution that allows post houses and colorists to work remotely without sacrificing the high-quality and low-latency ...

The annual awards ceremony, which was chaired this year by Oscar-nominated cinematographer Mandy Walker, aims to "reflect the cultural, visual and technical values of the international color grading ...

The awards, celebrating the best of the industry's color grading professionals, are now in their fifth year, with work on 'Andor,' 'The Brutalist' and a Bad Bunny music video also among those ...

We'll have a full report from CAMERIMAGE in the next couple of days; a show that has not been, as you might already have read, without its fair share of controversy this year. An increasing fixture on ...

The winners of color grading system developer FilmLight’s 4th annual Color Awards were presented Sunday at the EnergaCamerimage international cinematography film festival in Toruń, Poland. Honored ...

FilmLight’s Baselight 6.0 grading software is now in successful beta testing bringing colourists multiple new features and tool upgrades. Baselight 6.0 is a fairly decent upgrade to FilmLight’s well ...

Noted cinematographers on this year’s jury also include three-time Academy Award winner Robert Richardson (“Hugo,” “The Aviator,” “JFK”) Oscar winner Erik Messerschmidt (“Mank”), Catherine Goldschmidt ...

Baselight STUDENT, FilmLight’s free macOS application, has been enhanced with the innovative and creative advances from the core Baselight v5 software. Baselight STUDENT v5 will allow those developing ...

FilmLight has announced that its Windows version of Baselight for Avid is now available. This is part of the Baselight Edition range which delivers key elements of the grading software as a plug-in ...

FilmLight is helping boutique post production facilities to step up to high-end colour grading by offering its Baselight system at the lowest price ever. The Baselight ONE ACCESS package can now be ...

Deep in FilmLight’s building in a Soho side street, Jacqui Loran is making the Lake District look sinister. With one eye on a vista of Lake Coniston on the screen before her and another on a screen of ...

Deep in FilmLight’s building in a Soho side street, Jacqui Loran is making the Lake District look sinister. With one eye on a vista of Lake Coniston on the screen before her and another on a screen of ...