One of the most outstanding and challenging new bits of music I've heard this year comes from Makeunder, the project of Hamilton Ulmer, an Oakland-based musician with a penchant for exploration.
Tony Iommi’s songwriting momentum, which sparked 1987's 'The Eternal Idol,' carried over to Black Sabbath's 1989 offering, ‘Headless Cross.’ The relatively stable lineup didn’t hurt either. And while ...
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